👉Do I know anyone who can introduce me to Lin Manuel Miranda? 🤞 If that’s you, here’s why I need your help…

My 90 second video explains why I need 10 minutes of Lin-Manuel’s time.

If you’re the person who can help me make the connection, I’ll make sure you’re invited to the Zoom when it happens!

If you can make an introduction, send me an email at Lesley@mPoweredEducator.com and let’s make some magic happen!

THANK YOU!

Lesley

Music Education 2.0 – Ready or Not, Here We Grow!

Music education has been my whole life. I love my career. And now EVERYTHING about what I’ve done for over three decades is completely different.

How on earth do we serve our students and sustain our programs in the middle of a pandemic?

I’ve seen so much change during my years as a teacher. Technology and society have caused our kids to grow up faster than they were physiologically programmed to do, and the impact from all the stimuli on their ability to function in this world is huge.

For the first thirty-one-and-three-quarters years of my career, there was a lot that changed, but nothing like what happened when the 2020 pandemic hit the planet and, at the speed of light, uprooting everything we ever learned about teaching. Suddenly, in what was going to be my final quarter of teaching, I found myself, along with every other teacher in the U.S. and beyond, completely reinventing how I taught as the world came to a standstill and schools were shut down across the globe. I had to learn to teach high school band online!

The first few weeks of the abrupt transition from face-to-face teaching to the isolation of being quarantined and figuring out how to meet the emotional and educational needs of my students was daunting.

As we started working through what it would look like for us to continue our band classes without being together, I came to realize that the daily practices and protocols I established with my students (who often come to class with challenges like anxiety, depression, and difficulty focusing) as a way to help them focus and be present for class were even more important now.

The daily practice we did in one another’s presence every day – taking four minutes to do breathing and relaxation together – up-leveled our in-class experiences because of the way it synchronized all the students each day, which caused our rehearsal time to be at least three to four times more productive than in the past. I knew that since our routine had such a positive impact on our ability to bring sixty-plus teenagers together and get them focused when we were in person, it was critical that we continued to practice that same routine when we were isolated and experiencing heightened anxiety and trauma. The ritual of getting our bodies and brains to relax each day before we started class was more important now than ever.

Kids are constantly told to “sit still and be quiet,” yet they’re never really taught how to harness their energy and social reflexes so they can actually sit quietly and focus their attention. Guess what happens when you actually teach students how to physiologically reset their bodies and brains so all of the restless energy (side conversations, excessive physical movements, difficulty focusing, inability to pay attention or remember) gets out of their way and they are able to start with a clean slate? It’s truly remarkable. It’s how we are biologically programmed to function at our best, so why not work with nature and teach our students how to tap into this? Once you do, you will be blown away at the changes: the ease of teaching, the attentiveness of the students, the retention of content, and a million other positive changes that take place as a result of taking the time to teach students this critical skill.

Teaching kids to get into this learning state is no different than teaching them technique on an instrument. It’s muscle memory – that is all. By practicing scales slowly, you train their muscles to respond in specific ways. The more you repeat patterns, the easier it is for them to execute those patterns and the quicker their responses become.

The same goes for teaching kids to settle down. Once your students practice a relaxation routine on a consistent basis, their bodies learn to be still because the muscles learn how to relax. Their brains are no longer in hyper mode; instead, they respond to this practice by learning to let go of the drama and other stuff floating around in their heads and become cleared out for whatever content or concept you want to introduce.

You have an incredible opportunity to help your students not just be successful musicians but to be exceptional human beings. Music teachers change the world. We are arguably the most influential adults on the planet. We have kids in our classes year after year after year. We watch them grow up. We are the only adults they see that frequently, sometimes even more than their parents, see them. So, we have important work to do – and we need the stamina to do it.

That’s where this book comes in. If I learned about the power of teaching this skill before diving into content with my students, I could have been a healthier and more effective teacher from the start. Instead, I spent the first three decades of my career teaching the way I was taught, actively handling classroom management and correcting behaviors instead of giving my students the skills to self-regulate so I could focus on teaching. It took a lot more energy (both physically and mentally) to teach when I didn’t have a daily routine to get everyone relaxed and focused.

For most of my life, I didn’t know how to relax, and teaching was a hyperactivity for me. I did it well, but managing all the components of a huge music program required active work, both mentally and physically. Even teaching classes took a lot of energy. Corralling the energy of sixty kids an hour, day after day, and motivating them to meet my goals was exhausting. Once I learned the power of teaching students to relax and settle that energy down before starting to teach class, everything became so much easier for all of us.

I’m a much more effective teacher now. Instead of force-feeding kids everything I believe they should know and feel, I facilitate their abilities to tap into the music and hear the message it has for them. I learned how to help them go from states of stress – where learning is difficult, if not impossible – to a place where their brains and bodies are receptive and ready to learn, remember, and recall what they’re discovering. It sounds like a whole new way of teaching, but really, it’s not. It’s the way we were programmed to learn.

When we teach students how to get into a learning state, teaching and learning become so much easier, leading to less stress for you and your students.

This process can be used by children of all ages and across all socio-economic statuses, cultures, orientations, and marginalization, including over-achievers and AP/Honors kids. In fact, it’s often most effective for the kids you’d least expect.

Just like a carpenter needs the proper tools and high-quality wood and a plan if he is going to create a craftsman-style piece of furniture, teachers need tools to do their jobs well, too. One of the most powerful tools a teacher has is being able to guide their students into a readiness-to-learn state before delivering content. This one simple step has more impact on every aspect of student growth than any other pedagogical tool I encountered in the more than 30,000 classes I taught over the course of my career.

This book is my way of sharing what I learned so other band directors can do the important work of teaching in a way that is easier and more effective for them and their students. I want to support them in their efforts to be positive role models and mentors for their students. I want to work with teachers who realize that our roles include shaping kids into responsible and respectful human beings through the magic of music education. It takes a lot of stamina to do this year after year, and I am here to share strategies that support dedicated music teachers who are called to change kids’ lives for the better.

Under the best of circumstances, teaching is stressful and exhausting.

After our 2020 health crisis, it’s going to be even more so, and unless you have a plan in place for how you’ll help students cope with the strange new world in which we live, it’ll be overwhelming and daunting for you and your students.

If you have a routine that already works, then now is the time to reevaluate it and see what you might need to tweak in order to meet the new needs of your students. Most of them will be affected by everything that happened as a result of the pandemic, so teaching-as-usual will be anything but usual. You know your students and community best, so you can use this book as a guide to help you assess and possibly redesign what you do in light of our new normal.

If you don’t have a routine you use to help your students overcome the distractions of life so they can focus in your class, then I’m especially glad you picked up this book! Now’s your chance to practice some new skills that will help you and your students get the most out of your classes in spite of the added stress, anxiety, depression, and more they’ll be dealing with.

This book outlines the process I designed and implemented in my classroom and is set up to help you create a plan to successfully teach music to students who will be forever changed after this worldwide shift in education and life as we once knew it.

My work with my students always comes from a place of love. As I came to what was going to be the end of a long and fulfilling career in music education in June of 2020, I found myself being called to stay in my classroom and community a little while longer. I see the writing on the wall and know there will be massive shifts in everything we do as educators now, so I made the commitment to remain with my students and walk beside them on this journey. Providing them with the stability of our routines together during a time of upheaval and uncertainty is essential not just for them but for me, too. Now more than ever, they need to continue to practice what we were doing every day in class – relaxing amidst the chaos.

Because my students and I learned to make our classroom a place where we decompress together every day, I know I will have the stamina to be present with them as we adapt to our new ways of doing things. Even though we will all have more reasons to be distracted with each passing day and the rapid changes taking place to education and we will undoubtedly experience plenty of stressful situations, we will forge ahead with our daily routine that allows us to settle into an hour of magical music-making together, where we can put our worries and distractions on the back burner and use music as a tool to help us cope, heal, and express ourselves.

This book is the culmination of my life’s work and shares the most powerful wisdom I gained from my decades of experience as a busy band-directing mom who managed to build a successful band program in spite of a million obstacles. My wish for you is that you will find it to be instrumental in helping you be that badass band director you were born to be so you can be there for your students for a long time to come.

Check out a FREE SNEAK PEEK of Love the Job, Lose the Stress: Successful Social and Emotional Learning in the Modern Music Classroom now!

#1 International Best Seller

Today Was My Final Evaluation, and I Ended Up In Tears.

It’s my 32nd year of teaching, so this shouldn’t have been a big deal. I’ve been through dozens of these and had no reason to believe this would be any different other than the fact that it was taking place online due to the pandemic.

Mr. Peters and I met on Zoom, and after exchanging pleasantries, he screen-shared my evaluation form.

There on page six he had a running narrative of what was going on in the classroom:

  • T askes Ss to raise their hands if they had a trill at the end.
  • T: …We don’t breathe before the deedle-eedle-eet – that would sound silly… I want you to hear the melody and realize how hard it is at this speed, because they have to take in gigantic amounts of air in…
  • T: Keeping a beautiful tone at all times, you’re doing a nice job keeping long phrases – keep doing that.
  • T stopped Ss playing just after a measure.
  • T: I’m going to show you what I heard and then I’m going to show you what I want.
  • T demonstrated the measure using the piano, tune with different fingers coming in at slightly different times vs. all simultaneously. Told Ss to “Lock in even better… nice and together.” Acknowledged when she heard the improvement she was looking for.
  • S took responsibility – “I know what I did.” T thanked him, moved on.
  • T: I loved that we didn’t all start our articulations the same and that you eventually came together!

As he scrolled through a couple more pages of that narrative, I saw in front of me what an ordinary day used to be like in the band room at our school. Oh, the things I took for granted.

I was reminded of the sense of accomplishment we’d feel when we’d woodshed a passage and finally master it. Or the wave of emotion that would sweep over all of us when we’d executed a passage with exceptional passion. Or the simple thrill of watching that third clarinet player finally get over the break without alarming the rest of the band with horrible squeaking.

All of the seemingly ordinary things we did every single day at school seem so much more significant now that we have been away from our kids for a couple of months. I long for the days when we could high-five ’em as they walked in our classrooms and then settle them in for 55 minutes of music and memory-making.

As I read the narrative of what happened in my classroom during wind ensemble on that ordinary day in November, tears poured from my eyes as it finally sunk in just how precious that time together had been. Those days in our classrooms did so much more than just teach kids how to play songs. Through the process of developing as musicians, I watched them grow up. I watched them overcome personal struggles and challenges. I grew to love them not just as music students, but as humans. We’d become a family and suddenly the pain of being ripped from my band family was really raw and all I could do was cry.

I am sad for so many things that we’ve lost as a school, community, nation, and world. I worry about the future of everything from education to survival and more. And I wonder how I can continue to be a band director and serve my students in a post-pandemic world.

I don’t have all the answers, but I know it’s up to me to do a few things:

  • Identify the core values and concepts I am charged with teaching my students
  • Figure out how to deliver that content in a safe and meaningful way
  • Implement strategies that will help me sustain my own mental and physical health so I can support my students for the long-haul

If you are a music teacher who is looking for strategies to support the long-term survival of your music program and sustainable ways for you to balance work and family lives while you do this important work, then I invite you to do a self-assessment that can help you identify your readiness for what lies ahead. It will help you ask yourself the questions you need to face as you plan for what’s next.

We have important work to do, and I, for one, plan to be ready to serve my students in spite of the obstacles that will arise as we get closer to September. Budget cuts, loss of performance and trip opportunities, and the fear of the unknown can be crippling – but our kids are counting on us to be brave, step up, and be there for them.

Take five minutes and check-in with yourself using this self-assessment. The peace of mind that comes when you get the clarity you need to take the next step can make the difference between stepping into the next few months in fear or with purpose. I choose purpose!

How Will We Sustain Ourselves, Our Students, and Our Programs During and After This Pandemic?

Are you a “Type-A, super-organized, ultra-planner” who is used to being in control kind of teacher and now feels like a fish out of water as you undo all of your spring events, plan new activities for distance learning, and try to figure out what next year might look like for you and your program?

This is a pretty unnerving place to be, especially for those of us who like to plan in advance and be prepared. How can we possibly do that for our programs when we have no idea what next year might look like? How can we offer music classes to students and grow our ensembles when being socially distant might mean limited in-person classes and activities next year?

Now that the initial shock and disbelief that our in-person school year ended in March has worn off, many of us are beginning to wonder how we are possibly going to be able to do our jobs when school finally does resume. There are so many unknowns about what education will look like that it can be paralyzing, frightening, and extremely overwhelming to think about. And when we consider the impact all this can potentially have on our music programs, well, it can be downright discouraging.

I remember the same kind of feeling after 9/11.

I was just starting my 14th year of teaching. As a parent, I was scared about what this tragic event meant for my own kids’ future. My girls were 4, 8, and 12 at the time, and in order for my husband to remain employed, he had to transfer to a different work location, making his commute three or more hours per day. I found myself with very long days that started with zero period jazz band classes and ended with evening activities, trying to balance the extra parenting responsibilities I had while my husband was commuting. As a teacher in the changing landscape of education after that event and the stressors that came with it, I really struggled to keep it all together.

Fast-forward 19 years. Ready or not, as a result of this pandemic, we are at another major changing point in education. Having experienced teaching and parenting after a major event that impacted life as we had known it before, I am prepared to share what I learned through my personal story so other teachers can skip a lot of the growing pains and be the teachers, parents, and partners they want to be and come out stronger on the other side.

Educators are natural leaders. Being a leader at a time like this requires vision, passion, and stamina. Being a leader during distance learning while juggling your own family, limited access to resources, and sketchy internet can be incredibly challenging. But as music teachers, we are not intimidated by challenges. In fact, we often thrive in situations that seem impossible to mere mortals.

If you are a music teacher with a vision of helping your students be the best version of themselves through the magic of music education and you want to be a leader who does that in spite of the circumstances, then I want to invite you to check out my new book.

In my latest book, I share all kinds of strategies and resources that will help you do this important work efficiently, with greater ease, and with less of a drain on your energy. Having taught more than 30,000 classes in my career while raising a family of my own, I’ve walked the walk and am delighted to be able to pass on what I’ve learned.

The book will be published next month, but YOU can get a FREE advanced copy of the ebook NOW and get started on tapping into strategies for your long-term stamina as a music teacher!

If you read it and find it helpful, I’d love to know. In fact, if you send me any feedback before May 4, I can include it in the eBook that will be published next month on Amazon! I would be really grateful for any reviews because that will help me get it into more people’s hands, and that was the whole reason for writing it in the first place. 🙂

I’m really grateful to Dr. Tim for his enthusiastic support. I put a sneak peek of his foreword below so you can see for yourself if this information will be helpful for you.

In-person teaching will one day resume. It will look different than what we’ve known it to be. We can either wait and see what happens, or we can be the leaders and visionaries who use our platforms as music educators to shape the future of music education.

Our students are counting on us, so let’s do this!

Foreword

by Dr. Tim Lautzenheiser

Lesley Moffat’s newest book, Love the Job, Lose the Stress, redefines the term “self-help.” Her first best seller, I Love My Job, but It’s Killing Me, awakened us to a new landscape of personal and professional sanity. This latest-greatest contribution offers a tried-and-true blueprint for vocational success while embracing the critical importance of fueling one’s mental, emotional and physical health. Spot on! Bull’s eye!

What is uniquely wonderful about Lesley’s writing is based on her own teaching journey. Her wisdom reflects reality rather than hypothesis. She has “been to the well,” she “walks her talk,” and she does it with a sense of understanding unknown in common hours. Rather than simply focusing on the obvious, she delves into the why, what, and how of the given situations:

  • Here’s why you need to take stock of this concern or breakdown.
  • This is what you can do to reset your compass to achieve resolution.
  • … and this is how you can do it to reach your destination.

A bit of history: By all standards, Lesley Moffat was at the top of her teaching (band directing) career. She developed a program-of-excellence recognized (and envied) by her colleagues. The numbers grew, the quality soared, and the awards continued to spotlight this one-of-a-kind culture-of-artistic-excellence being driven by her ongoing desire to serve the students, the school, and the community. However, all of this manifested at the expense of Lesley’s health and well-being. To attain these high, self-appointed educational standards, she was short-changing the most important part of her program: Lesley Moffat. Let us be reminded of this cornerstone truth: “You can’t lead others until you lead yourself.” Fortunately, she recognized her plight and executed a massive course-correction. Now, we are the benefactors of her self-explored research via her trademark writing talents.

This manuscript is an endless treasure chest of immeasurable value. From the self-reflection templates to proven time-management skills, each page reveals yet another golden nugget you can integrate into your own daily agenda. This is not a book you read and then put on the shelf; rather it is a file cabinet of priceless data certain to bolster the health, happiness and good fortune of every (music) educator.

We’ve all heard the familiar teacher outcry, “I’m tired. I’m frustrated. My health is suffering. I live in stress. I don’t have a life. I don’t know what to do. I want to give-up. I’m just plain burnt out!” It truly is “a sad state of affairs” when one experiences this kind of desperation. Might I suggest that reading Love the Job, Lose the Stress offers-up a powerful prescription availing us to a personal/professional avenue arriving at one’s desired contentment and fulfillment.

Lesley, thank you! We know the master teachers are also keystone role models. That being said, you are an exemplar for all of us!

After 32 years as a high school band director, I was going to retire this year. But things have changed.

Now is not the time to leave my students. I still have work to do and I need to be in my classroom with my kiddos when they return to school next year for a different kind of experience than what any of us have known.

In addition to the many ways they’ve always counted on us, our students will need us in new and different ways. It will require intentional preparation to have the mental, emotional, and physical stamina to serve them without becoming overwhelmed in the process.

This is the exact topic of my second book, which comes out in May, but I’m going to be sharing the content NOW because it’s relevant to any music teacher who wants to use this time to be prepared for what’s to come but who doesn’t know where to start.

I’ve already thought through a lot of this and have a plan – and I’m going to share it with you so you don’t have to start from scratch.

Join me tomorrow for Music Ed Mondays with Moffat to find out why I believe our roles as music educators are critical to the healing of our students and communities during and after this pandemic and resulting upheaval to everything we’ve ever known.

I will share a plan you can access for no cost that will guide you step-by-step through the process of being fully prepared to support yourself and your students through crisis and beyond.

The webinars will be on Mondays at 9:00 am pacific time and I’ll share how you can access the full course of my signature program that goes with my second book, Love the Job, Lose the Stress, for FREE!

_______________________

You are invited to a Zoom webinar.
When: Mar 30, 2020 09:00 AM Pacific Time (US and Canada)
Topic: Music Educator Mondays with Moffat

Register in advance for this webinar:
https://zoom.us/webinar/register/WN_sX3udf6DSqW3EvW7kIlz_A

After registering, you will receive a confirmation email containing information about joining the webinar.

Can’t make it? Register anyway and I’ll send you a recording!

With you on this journey.

Love the Job, Lose the Stress


When I was at the end of my third decade of teaching, I found myself saying, “I love my job, but for the love of God, it is literally killing me.” My body and mind were worn out from the sheer numbers of students and events I managed every day. Decision-making was becoming too taxing because my brain was being overstimulated all the time. I nearly walked away from my life’s work in order to keep from losing my battle with chronic health issues that were exacerbated by the sheer exhaustion that came from my job.

In what turned out to be a very smart decision on my part, I decided to do whatever it took to figure out a way to balance my professional and personal lives in a way that let me be the mom and band director I wanted to be and that my children and students needed me to be.

Luckily, in that process, I discovered some strategies that helped me overcome the health issues and fatigue that had become my new normal and made it so teaching is now not the stressor it had been.

I have just finished writing the book that is literally the answer to the problem I’d struggled with for so many decades. In it, I share the secrets of how I’ve been able to up my game as a badass band director and regain control of my health in the process.

The changes I’ve made have impacted me in a million ways. Here are just a few:

  • I haven’t gotten sick from being over-exhausted this year
  • Teaching has become much less taxing, going from requiring my active management to students monitoring their own behaviors
  • I no longer require medication for anxiety, depression, or ADHD
  • I’ve lost 75 pounds
  • My classes are SO easy to run – and that’s with 60 kids per hour, with instruments
  • Students remember and retain what we work on in class
  • Parental involvement supports the program in ways that free me up to spend more time with students and less time managing the program
  • Classroom management is a breeze
  • My stress levels are so low that it helps ground my students in my presence

In my second book, I teach you how you can take your high-stress job and restructure a few things in order to make it more manageable – so you’ll have the energy to do the things you love so much.

Let me know if you’d like to be on my list to receive an advanced reader copy of the manuscript draft. I’ve completed my rough draft and will have a high-level edit ready in a few weeks, so be on the lookout!

If this sounds like you a book that speaks to you, just click this link and you’ll automatically be put on my “Book 2” list to get it as soon as it’s ready to go!

Wishing you a joyous spring. May you rekindle that spark that lights you up with joy in your classroom and at home. You really can be living the dream!

With you on the journey!

Lesley